Open Call Selections for 2026

Responding to this year’s festival theme – TRUTH – photographers were invited to submit work that engage personal, political, social, historical, or technical truths. Thank you to our judges.

The response to the call for SOLO exhibitions exceeded all expectations, and the selected projects reflect the growing international reach of the Festival as well as the continuing relevance of photography as a medium through which contemporary realities are questioned, challenged, and reimagined.

Among the selected SOLO projects is Alain Schroeder with Chains of Madness which explores mental healthcare practices and confinement in Indonesia.

Alain Schroeder. Indonesia, Java Island, S. (44), has been here for a year. His family brought him here after a 10-day-stay in the hospital. He says he has mental health issues. He likes the center, but he prefers the hospital.

Oleksandr Rupeta’s photographs demonstrates the contrast between the natural beauty of the Donbas landscape in the Ukraine and the horrific reality of frontline warfare.

Oleksandr Rupeta. Soldiers coordinate night operations before battle, Donetsk Oblast, Ukraine, 2025.

Streetmax captures surreal moments of everyday people within uncanny compositions, often appearing fictitious and constructed. These images are nonetheless shot in real time.

Streetmax. Elizabeth 200524_01

South African photographer Marguerite Oelofse presents a deeply personal body of work reflecting on her experience of receiving another person’s heart at the age of seventeen.

Marguerite Oelofse. Our Heart (2025/2026)

Che Jingyin’s project Harmless: to be proven examines the often invisible precarity experienced by Chinese scholars working within American academic and scientific institutions. Combining staged photography with documentary research, the project interrogates systems of suspicion, surveillance, and institutional mistrust.

Che Jinyin. After Distance (2025/2026)

South African photographer Tony Meintjies‘ exhibition explores the relationship between photography, memory, and interpretation through the construction of diptychs drawn from a personal archive spanning several decades.

Tony Meintjies. Rhombic Egg-eater, McGregor, South Africa (2016) & Matroosberg, Western Cape, South Africa (2015).

The non-profit platform, The Photographic Collective supports emerging photographic practices from Africa and aims to bring visibility to overlooked archives and underrepresented artists. This group exhibition will be presented at the Desmond Tutu Foundation.

Ala Kheir. Nile River in the Khartoum, Sudan.

We are also very pleased to share the names of the participants in the festival group exhibition, Looking at TRUTH.